Saturday, September 26, 2009

New Noise #1 Cover And Comp Announced!



Today i finally finished putting together the final layout of the zine, everything is proofread and approved The first 25 out of 200 zines were sent out yesterday to the printing center. Below the cover is the insert for the Comp that will be included with the zine. Those will be put together monday after the zines are done being assembled. I will have the zines at the Forfeit/Born From Pain Syracuse Show Friday so come out to that show and pick one up! t took me forever to get this done, and i know i can be a bit of a procrastinator but its finally finished, thanks for checking it out and for everyone who has helped along the way.

New Noise Zine No.1 Fall 2009 $3.00
Featuring Interview with: Reaper Records, Polar Bear Club, Foundation, Triple B Records, Unholy, Not Sorry, and Violent Side

Includes the New Noise Compilation 001 featuring: Not Sorry, Forfeit, Mayflower, Cicada, The Andrea Doria, Born to Expire, Reckless Days, Ghost Ship and Unfinished Business

Webstore for online ordering will be up soon.

-pat,newnoisezine

Friday, September 25, 2009

Reviews /// Post Rock/Hardcore Making A Comeback?

Brand New – Daisy
September 22, 2009 | Interscope Records [10/10]

This record came unexpected for me. I’ve been a fan of Brand New for a long time now and for some reason i did not keep my eyes and ears open when they announced that they were hitting the studio, maybe they wanted it to be that way. Either way Brand New is back and they are very pissed, more than in their previous record “The Devil and God are Raging Inside Me”. This record is very strange even from the appearance of the cover. This starts off with a 1920’s/30’s female vocalist playing the piano and then kicks right into one of the heaviest songs Brand New has ever written. I felt like i was listening to old Glassjaw or Cave In. It takes some getting use to but it is a pure adrenaline rush. Don’t listen to this song while driving or you will be sure to see yourself wanting to drive into the person ahead of you. “At the Bottom” was the first song that i heard off this record and i was instantly hooked. It’s very soothing but yet when the chorus kicks in you feel a sudden burst of electric energy pouring out of the guitars and Jesse’s voice. This song will be stuck in your head for days. The whole record has a very post rock/hardcore vibe. It’s very heavy both musically and lyrically. Heavy Music does not always have to be overly distorted chugging guitar riffs and screaming vocals. The tones and overall sound of this record is what makes it heavy even when the clean guitar is playing. This record is a lot darker than their previous work and I’m glad they went that route instead of falling back on older sounding material. There are very few records that have nothing but great songs on them. With many records there are several good songs but then there are filler songs just to take up room to reach a certain amount of tracks. With this record i feel that there are no filler songs, Brand New wrote what they wanted to write and recorded it the way that they wanted to and it worked. This record defines a lot of things both musically and lyrically and it crosses many lines that most bands stay behind. There are those few bands that have reached a status to where they can do whatever they want even if its different and new to their sound. They have reached the pinnacle in their career and i hope it sticks with them in the future.

Polar Bear Club – Chasing Hamburg
September 8, 2009 | Bridge Nine [7/10]

Probably one of the most anticipated releases of the year, Polar Bear Club is back with their second full length “Chasing Hamburg”. Ive been looking forward to hearing this record for quite some time now, and overall i think this is a great release. This is a PBC record by all means but it ventures into a more pop rock sound which isn't at all a bad thing. It will definitely help them gain popularity with newer and younger fans. All the songs on this record are well under five minutes which is easy for the listeners especially for those who have never listened to PBC. There are a few singles off this such as “Living Saints” and “One Hit Back” but there are also some other hits such as “Boxes”, “Local Eyes”, “Song To Persona” and “Olde Fisher Burial Ground” which opens with what sounds like a steely dan solo. This record has a lot of great songs on it and will keep you coming back to hear more. All of those songs mentioned will stay in your memory for a long time. This had a huge production behind it as well and it shows. Matt Bayles who produced albums by Minus the Bear, Russian Circles, Mastodon, and so on produced this record and it only seemed fitting that he did. PBC have always had a unique sound much like most of the bands Bayles has recorded in the past so it was great to see both forces clash on this record. Polar Bear Club have been known to blend punk, rock, and post hardcore and shape it into their own unique sound for many years now and this record proves that they can do that and more. Personally i feel that they did their best work on “Sometimes Thing Just Disappear” as well as “The Redder The Better” but im sure this record will grow on me as much as the others did and pretty soon i will be calling this one of my favorite PBC records, FUCK IT… they are all good so go and pick this up as well as the rest of them.

Thrice – Beggars
September, 2009 | Vagrant Records [9.5/10]

Thrice has always been a band that i feel like people don’t really get anymore, and are not into. But if you get past a few of their earlier records you’d find out that they have a lot of post-hardcore/rock influences but with a unique style. Thrice is back with their 7th studio album and i’d say its one of their best efforts yet. The last concept record they did was actually two records but split into four parts. The concept was really cool i thought and it had a lot of different styles which could appeal to certain people. This record however is very straight forward and precise, much like their early release “Vheissu”, where the band started to come out of their element. This record starts off very abrupt with a progressive style drum beat with bass playing and off rhythm beat over top. The rest of the song (”All the World is Mad”) is very bluesy and rhythmic and it all ties together when the chorus kicks in. This song struck my attention the second i started it and to me that's how must records should start. To me this whole record has a blues vibe to it, some of the progressions sound as if B.B. King or Muddy Waters were recording the songs. The second track “The Weight” kicks right in with a soft blues progression that sounds like it might stay in the same context but it transitions into a very catchy melody.My favorite track off this record comes in at track four, “Doublespeak”. There is no beating around the bush with this song, it comes in right away and is instantly catchy. The piano part is very dark but yet melodic at the same time and the vocal melody over top makes you feel like everything surrounding you is moving at a much faster rate. Most songs you get sick of hearing the chorus three or four times, but not this one. This is probably the most catchy song on the record in my opinion and one of the best songs they’ve ever written. I feel like this band could do whatever it is they want musically. Bands like that are few and far between and most of the time there are a lot of people and fans who don’t support a decision like that but Thrice has had a fairly well following the past few years from what i can gather. I wish people in the hardcore/punk scene who have various other musical interest could get into this band because they have the unique quality to appeal to everyone. Basically what it comes down to is that this record is pretty much tells you the type of band Thrice is. They have so many elements to their music its hard to describe them under one category. This record is proof to how great of a band they have become over the years. They can go from playing really catchy teenager pop punk to writing more post hardcore and indie/rock influenced songs. Many bands are known for writing the same record over and over, very rarely do you come across a band who has sort of veered off to other directions from record to record. Go and purchase this record off iTunes and be sure to pick it up when it comes out.

Title Fight – The Last Thing You Forget
July 23, 2009 | Run For Cover Records [9/10]

Who hasn’t heard this band yet? A part of me has been wanting to be behind because there has been so much talk about these guys that it almost got a bit annoying, but i think that made me want to check them out even more. So finally i picked up the CD recently and I'm a little upset with myself for not getting it sooner. The 7″ includes three new songs of pure pop punk/hardcore sensation. The CD format includes this 7″ as well as all of their older material so i suggest you pick that up as well. The reason I've been so hesitant to check this band out is because a lot of the bands that play hardcore influenced pop punk are terrible and overrated (with the exception of a few bands). But these guys do not fall into that category. I feel like if you take Saves the Day and Kid Dynamite and put them together, Title Fight would be the outcome. They are fast, and aggressive but yet also melodic. How many bands have ripped of Kid Dynamite and Saves the Day? Well a lot but, this band puts their own style into the mix. “Symmetry”, “Introvert”, and “No One Stays at the Top Forever” are the three new songs featured on this CD and all of them have their own uniqueness to them. “Introvert” has an awesome slow jam section in the middle of the song leading right into “No One Stays at the Top Forever” which that in itself is a perfect sing a long song. And to add, I don't think they could have written a more catchier song that the opening track “Symmetry”. The reason this band has so much push behind them is because they are in fact a good band, that's why they have been getting the attention they have been. This record proves that they didn't just write a few good songs, they keep getting better and better with time and I'm looking forward to another EP or possibly and LP. We will see what the future has in stores for Title Fight. Go and pick up the 7″ and the CD if you’re looking to get all of their songs.

Lewd Acts – Black Eye Blues
2009 | Deathwish Inc. [7/10]

I didn’t really know much about this band before this release, so I’m not really aware of what this band is about but this record gives me some reasoning behind the direction they are going towards. Lewd Acts is a very fast, but yet progressive punk/hardcore band along the vein of early Converge. When i first listened to this record I knew it was a Deathwish release. It just has that sound to it, very dark, grimy, and intense, and to make it even more like a deathwish record it was recorded with Kurt Ballou at Godcity Studios. But aside from all of that this is still a unique record and it does stand out from the rest. It has a surprise around every corner it seems like. One moment your listening to a very slow, droned out and distorted chorus (“Who Knew the West Coast Would Be So Cold”) and the next thing you know they are back to fast shredding guitar riffs. My personal favorites off this record would be “Wide Black Eyes”, “Nowhere To Go” along with “Penmanship Sailed” and “Nightcrawlers”. I was overall very pleased with this record, especially because this was my first interaction with the band, perhaps i will go and check out their previous records. This is out now on Deathwish so go and pick it up online.

Soul Control – Cycles
August 25, 2009 | Bridge Nine [8/10]

Soul Control is back with a twelve song full length. This is their first effort for Bridge 9 records, meshing 90’s influences hardcore with a post hardcore and punk sound. Four of the songs off this record were released a while back onto four separate Ep’s on four different labels, which was kind of new and unique concept. All of those records featured vocalist Rory Vangrol who had been recently added to the band prior to those release. This is now the first major release for Rory and Soul Control.The recorded songs sounded better on the original EP’s but maybe that's just because I'm use to that sound. Most of the time you can never reproduce the same effect when a band records something, but that doesn't mean the songs are crap. This is a Soul Control record, very fast, noisy, and full of different influences from punk/hardcore and post hardcore/rock bands. The thing about this band that really pulls me in is the guitar work. That dude does a lot of cool stuff with effects and just in general that i think a lot of bands are too afraid to incorporate into hardcore/punk today. This is a very fast paced record, its over before know it and you wouldn’t think so when you look at the track listings. Some of my favorite songs include “Fundamental Forces”, “Playing Coward”, “End Times” and “Cycles”. Soul Control blends a style much like early 90’s bands such as Quicksand, Handsome, and 108. I think a lot of people overlook this band for many reasons, one being that they are sort of against the curve and not really doing what most bands are doing today. This is definitely a unique record and one of SC’s best releases to date.

Tuesday, September 22, 2009

Print Is Dead

Today I just printed the first proofs of all the interview for the first issue. Its been a long process for me and its been taking me many months but I’ve finally gotten underway with the final editing and printing. Once i finish reading through everything to make sure there are no mistakes I will do any editing that is necessary and then begin to print out the final copies of all the interviews, articles, and other pages featured in the zine. Once all of that is done i will take them to Kinkos and start making copies. Its almost been a year since i did the first interview with Foundation, my goal is to get it out well before that date haha. Im not going to give you an estimated date of when it will be out because i’ve done that several times already, so just keep your eyes and ears open, its coming soon…

Im also going to be working on two new covers for the zine, one hand xeroxed and the other hand drawn by a good friend of mine. Hopefully those will get done by the end of the week. And finally I added some new tunes up to the myspace player so go and check those songs/bands out. The songs will be featured on the comp that will be sold along with the zine, more tunes on the way! Thats probably enough rambling on for today so go and check the website for some new reviews and more updates.

-nn|z

Friday, September 18, 2009

Photography /// Last Syracuse Have Heart Show

Last nights show was beyond any words or expression. Everything about this show defined hardcore for me, I wont go on to much but hopefully those reading and those who attended understand the impact that this band has had over the past few years. Usually when bands break up I’d get bummed because its usually unexpected and too soon.


But with Have Heart i feel that this was the right time for them to hang the towel. They’ve done everything a hardcore band should do, tour the world, put out records and develop their own sound while still sticking to their morals and beliefs.

According to them they will never do a reunion down the road, which i feel is a good thing. When a band has called it quits they should stay that way. They have lived their legacy and like he said last night, its time to let new bands start from where they left off, that is how hardcore stays alive. Its sad to see this band go but at the same time it seems complete. I will miss seeing this band, I've been fortunate to have had the chance to see them all over the states and even overseas in Europe. Its amazing to me to be able to share something like that when your both half way across the world and away from home. That is how small of a world the hardcore scene is and it should stay that way.

There are too many photos to post on this all at once so I’ve posted a few of my favorites. The rest of the photos can be viewed at Nate’s photo blog (http://www.natebenson.com/Benson). Check them out and if you were not at this show you really missed out, this was a show of the year for Syracuse, nothing like this will ever happen again.




Wednesday, September 16, 2009

Reviews /// Heart In Hand Records (Los Angeles, CA)

I received a package in the mail with some records in it to review from a small label based out of Los Angeles, California. I never really heard much about this label, just saw a few ads and what not on the internet, and i never had heard of any of the bands on the label but i was surprised with what i head when i started listening to the records that were sent to me.

Two of the bands, Until Your Heart Stops and At Our Heels are from the California area and the Recluse are from Birmingham, Alabama. Check out these bands and the label. All three of these bands have a different sound to them and i was into a lot of what I heard. (http://www.myspace.com/heartinhandrex)

The Recluse – Summer Showers
I haven’t really heard too much about this band, nor have i heard any of their other releases, but this Birmingham hardcore band brings a very angry and aggressive side to melodic hardcore. This 7″ is the only one i know of that they’ve done so i will treat it as if it is a debut 7″. In my opinion this is a good record for a band starting out. The production is normal for an EP, not to clean and crisp but still solid in the direction the band is going towards. From what i can gather online, they get a lot of influence from bands such as Black Flag, American Nightmare and Panic, some of that i can hear in their music. I like the roughness to this record, it transitions smoothly and i like a lot of noise that you wouldnt normally want in a record. The vocals stick out a lot for me after a few listens, i think that if they do record more records they could develop into a band people could really get behind. With the route that they’ve already taken they could adapt a unique punk sound like bands such as cloak/dagger or along those lines. This is a solid EP, i am looking forward to hearing how this band progresses as time grows.

At Our Heels- s/t 7″
A little hard to get use to at first but I think once you get past the vocals being a little too high pitched you can begin to gather what this band is about. Im not saying the vocals are bad by any means, i was just surprised when i first put this record on. At times the vocals are very tasteful and at other times i could go for something else. This band is very fast but yet very heavy and nothing sounds like it’s out of place. A lot of the guitar parts are unique and i wasn’t expecting to hear some of the melodies and riffs on this record. This is a cool sounding EP if you ask me, again i dont know too much about this band but im pretty sure this is the only record out right now from this California hardcore/punk band. Im also curious to see what they sound like on records to come.

Until Your Heart Stops – We Are Not Coming Down
This was my favorite record out of the package I received, and i wasn’t expecting it to be at all. When i first looked at it from a quick glance it was not all to appealing, the name did not really stick and i wasn’t to into the artwork. So after a while of it just sitting on my desk i finally put this record on and was shocked when the first song “Pulling Teeth” came in. The bass at the beginning sounds solid and the ending of the song was very catchy. The vocals are at a more mid range style and sound great with the feel of the entire band. Again like most bands from Cali, these guys are very fast and aggressive but with a melodic sound to them. The guitar parts as well as the tone are unique and were very appealing to my ears. My favorite tracks off this record would be “Lovers”, “Pulling Teeth” and “Ghost Town”. The first riff in “Ghost Town” almost sounds to me like a blues lick but played by a punk kid. I guess you should never judge a book by its cover, this is a very good debut EP, i hope this band sticks around long enough to write some more material, stay away from the trends, create your own style.

http://www.myspace.com/thereclusehc
http://www.myspace.com/atourheels
http://www.myspace.com/untilyourheartstopsmusic

Wednesday, September 2, 2009

Interview /// Patrick Kitzel (Reaper Records)

There is not much here i can say without all of you already knowing, but Reaper Records is hands down the best label in hardcore today. This interview touches on many subjects about reaper and a lot of other things Patrick has done (True Blue, Spawn, Repel Fanzine, Halo Tattoos, etc…)

How have things been? How’s life hanging in Syracuse working at Halo while holding the fort down with Reaper?
Life’s been crazy man but good. This year has been crazy for Reaper. I think so far we’ve put out at least one release per month and still no end in sight.

I’ve noticed that it’s been a crazy past few months for reaper; I want to touch on that later in the interview. Now originally you are from Germany, whereabouts did you grow up and what was it like growing up over there?
I grew up in Essen Germany, one of Germanys main industrial areas. I grew up like any other kid, loved playing outside, eventually started skateboarding and started listening to hardcore and punk.

I was just recently over there and it seems like everywhere you go over in Europe and especially in Germany is less modernized than it is over here in the States, just from looking at the city and the buildings and the way people get around.
Well I guess World War II leveled so much stuff out that most of the cities had to be rebuilt. I also think the fact that Germany doesn’t spent billions and billions on wars in 3rd world countries has to do with more funds being available to be spent on Green technology and stuff like that…

Did the war still have a huge affect on the way people lived when you were growing up over there?
I think it will always have an impact no matter how late after the war you were born there. It’s just a real touchy subject. I mean over here nobody really thinks about all the Indians that got killed and the land that was stolen or even the Asian people that were put in camps over here against their will after pearl harbor and stuff…I just feel that Germany has that shadow over their people and even though rightfully so its still a little depressing that the past cant just be the past ya know? Anyways, it’s important that people know that Germany is not what it was 60 years ago and that 99% of the people there feel disgusted about their past.

How old were you when you first got introduced to music? What were some of your idols growing up?
I grew up listening to lots of 50s stuff because that’s what my parents where listening to. My mom got me into Elvis when I was maybe 8 or so and that’s still my favorite to this day. I don’t know about idols. I was into pretty much what every kid was into, rambo, bruce lee shit like that action heroes.

Eventually you got into hardcore and punk, how were you introduced?
As I said I got into skateboarding around summer of 88 and then the next year I started learning about hardcore and punk from other skater kids or skatevideos, thrasher magazine and other German skate mags, people would trade tapes and stuff…

What were some of the first tapes you got your hands on?
Bad Brains, Minor Threat, Dead Kennedy’s a whole bunch of German punk bands like Slime and Daily Terror…

Everyone has that one band that pulls them in, either with the lyrics or the music. What band(s) really stuck out to you and made you want to become apart of the hardcore scene?
Well there were a few bands like that. Bad Brains and Minor Threat definitely were my favorites back then along with Youth Of Today and Judge. Bad Brains really were a band you listened to and were like what the fuck is going on. They would be lightening fast one sec and then jamming these Rasta tunes the next minute. It blew my mind the first time I heard them and still blows my mind to this day. It’s in my book the all time best band and everyone who disagrees sucks. Minor threat and YOT definitely got the straight edge thing going with me. Their lyrics made me rethink all the peer pressure growing up and straighten myself out. My parents are alcoholics and I would have become one too if it wouldn’t have been for hardcore and Straight Edge I am sure. YOT made me go vegetarian after hearing the song “NO MORE” and after picking up Animal Liberation by Singer, which was suggested in the layout of the We are not In this Alone LP. Cro Mags and AF and all the NY stuff obviously were always at the forefront to.

Eventually you started to be more involved by playing in bands and starting a label, what was the first band you became involved with?
Yeah it was the idea of a hard sound that was appealing to me as a young rebellious type kid with lots of anger piled up but at the same time it was intelligent. It wasn’t like metal that everyone loves to jock these days. Pantera are a joke compared to the Bad Brains in every aspect. Ya know what I mean? The first band I became involved with was Spawn. A local sxe band that I first roadied for and then when Chris their first singer quit I joined and took over vocal duties.

I just recently picked up the Spawn full length while on tour but it’s not the one you sang on, which records did you sing on for Spawn?
I did the Despair/Spawn split 7″ the LP you picked up was the LP on New Age Records. It came out the summer of 1996 and I joined right after that came out.

I’ve been looking for that split but still have had no luck, im sure ill get my hands on it soon. Spawn was the first European hardcore band to tour the States, what did that feel like being apart of that and having such an impact on European hardcore.
Well it wasn’t the very first euro HC band but definitely the first of that era and that style ya know? It was a different time man, no cell phones, the internet hadn’t kicked in yet, no mapquest or GPS shit, everything was different. You tour and you know it aint easy, now imagine how it was without all that technology, hahaha kids complain these days about having to wait 2 weeks for their mailorder. Back in the 80s and 90s you were stoked when it got to your house after 4 months or at all ha.

I often think about what it would be like if we had no internet, no gps, only a map and the address to the show, im curious to try it someday haha
Do it and let me know how it goes, Haha.

I read that Spawn was also the first band to be on a label in the states is that right or was it again the first band of that era?
Well of course there where other bands before spawn on US labels, especially bigger punk bands and metal bands etc… you gotta see it in the right context a euro straight edge band on a straight edge label like New Age at the times was definitely special.

That must have been a good feeling was the split 7″ you did with despair released in the states?
The 7″ did not come out in the states but was distributed world wide.

You did a fanzine called Repel, when was that around?
I did Repel a few years before spawn, like 1994 till maybe 1998 or so, 4 or 5 issues total.

What were some of the bands that you interviewed in repel?
Merauder, Earth Crisis, Madball, Stale, Brothers Keeper, and Damage ID.

Repel also was a tape label is that correct? What made you decide to only put out tapes?
Well in the early and mid 90s that’s what people still did to a large extent It wasn’t like today where everyone and their mother put out cds and 7″.

You did demos for Buried Alive, Born From Pain, True Blue, what other bands did you put out tapes for and what was the response like over in Germany for Repel and the bands that you put out?
I did a despair live tape, the damage id demo, the discord demo, iron skull demo and 2 tape comps, maybe some others too that I forgot haha. Anyways the response was always awesome, true blue sold over 1000 demos, it was nuts, all hand copied tapes haha I couldn’t imagine now 12 years later doing that.

That must have been a lot of work, and very stressful im sure. How long were you doing tapes for, just as long as you were doing the zine or did it last a little longer?
Pretty much from like 93 until 99 or so…

Alright so as most people know you did True Blue, and you mentioned that you put out the True Blue demo, when and how did true blue start?
True blue started out as an idea that Spawns and True Blue / World Collapse drummer Rene and I had back in 1997. Originally we called the band Harsh Truth but changed the name after jamming some Madonna one day to True Blue. We started practicing with the original line up soon after and recorded the demo in 98 early 1998 I think it was then a year after the record came out.

I always wondered where the name came from haha, True Blue toured the states as well is that right?
Yeah in the summer of 2001, half was with death threat and the other half with hatebreed and e town concrete.

How were those tours?
It was awesome, people where digging it and it was great to tour with our friends in hatebreed and death threat. I also just remembered that the last demo I put out was the Desperate Measures demo that we took out on the tour with DT to open up the shows.

That tour sounds like it would have been a blast, after that you decided to move to the states, why the big move?
When we came home the bass player quit and we couldn’t find a worthy replacement. So we put our 2nd guitar player on bass and that didn’t work out either.

Was true blue all that you really had going over there at the time?
I was working during that time either construction or worked at this place that did professional theatre comedy and rock shows, so I booked bands and whatnot at that place Full time.

Did you live anywhere else before living in Syracuse or has this been the only place in the states you have resided at?
I was dating this girl from around here at the time and she ended up moving to Germany. After a few months she started hating it there and so we moved to the states after TB broke up. Syracuse has been pretty much the only place I lived in the states.

Why Syracuse?
That’s where she lived and also I knew DJ and Buske and everyone already for years from the hardcore scene. I’ve actually known DJ since 1994.

How did you and him get in touch?
He used to tour manage earth crisis and that’s pretty much how we met, he knew already about me from mike ski who sang for brothers keeper who I was friends with and still am of course.

DJ went on to start up Halo Tattoos, when did you start working there and what is it you?
I started here at halo in 2002. I am the business manager, basically everyone at halo works for me and I work for the 2 owners. I am in charge of employees, payroll, advertising, bills etc…

That’s a pretty serious role on the business end of things, is it complicated to be managing that business as well as your own?
Yes it defiantly gets hectic sometimes but I got it under control, haha.

Do you have people helping you out with the label or is it all done by yourself?
It’s mostly done by myself. BUSKE, GUAV and DJ help out wherever they can. My man pigg helps a lot out with Fests and shows and TC and DAN K as well as T DUBS and PIGG are definitely apart of the assembly line at my house whenever records have to get put together and shipped out.

Its good to have a crew of friends to help out when things get hectic. So how did everything come about for reaper? What made you decide to put out records?
DJ and I really wanted to do a label to put out local stuff. AWOL at the time did a demo and we liked them so we asked them to do a 7″ for reaper.

After the Awol 7” you put out the Terror demo 7” that really put your label to another level. How did that come together?
I’ve been friends with Scott since the early 90’s and basically knew him trough most of his bands. I did the despair live tape, I did a split with spawn and despair with him, I did the buried alive demo, toured with all of his bands and whatnot so doing something with terror was only natural.

On the topic of Terror you’ve done a number of records with them on reaper, recently you put out Terrors new record “The Damned the Shamed” onto a picture disc. That record was originally released through Century Media, what was it like working with them to get the rights and everything else to put the record out?
I’ve known the people at century media since they are from Germany, actually the true blue LP was talked about coming out on CM anyways. I worked with them a bunch in the past for the Merauder reissue and stuff; the dudes at CM have been pleasant to work with.

That record has a lot of different qualities to it but yet is still a terror record to me. What are your thoughts on it, it’s obvious you are into it, but what are your thoughts on how they have developed their sound over the years?
I think they get better with every record, I can honestly say that I like every new one they do better then the one before.

Black SS have been a band that everyone has loved in Syracuse and the surrounding cities for some time now. How did the Foreign Object cd come about?
After AWOL broke up and some of those dudes started BSS I was kind of bummed, I first liked AWOL a lot better then BSS but as they progressed and came into their own more and more. I fell in love with their sound and that was basically how we ended up doing the LP.

Recently you did CD discography for Black SS, did they approach you first about doing that or was that initially your idea?
We ran out of the CDs and instead of just repressing the Foreign Object CD I had the idea of just grabbing everything and putting it on one cd for the same price as a regular cd and to make a real cool layout….

It came together great, lets fast forward a bit; recently you put out the “Mercy for None” Comp, where did you get the idea to put that together?
When I grew up I loved comps. It was kind of like the Internet nowadays. You would get a comp and get to check out a bunch of bands, these days you cruise the Internet to check out bands I kind of wanted to bring that vibe back.

Many people think that all of the bands that are on that comp are now on reaper, but only Naysayer is a reaper band; do you plan to work with any of the other bands on that comp?
There are some plans to work with Unforgiven for sure.

Great band excited to see what they do next. Now Trapped Under Ice has had a huge impact on the label, how did you first come about them?
Well even though Pauly thinks he discovered them Buske and I both found TUI on myspace. I loved the demo and even though they were a little rough the first time I saw them I was instantly into what they were doing. They are great kids and definitely do their thing and do it well!

Were you expecting them to gain as much popularity as they have?
I wasn’t thinking in that way, honestly I never do with reaper bands. Terror have been my friends since day one. I could care less how big they are, I love what terror does and how they do it and they feel the same way about me and that’s why we do stuff together. Same goes for Forfeit and Naysayer or Black SS and most defiantly TUI. People who say they are a hype band are stupid. They tour their asses off and are one of the best bands around. They are on top of what they are doing musically. Maybe some kids dig em because they are having some push behind them but in 10 years you will be able to listen to them still and be like yeah that was the shit. While all this other whack washed up want to be throwdown sounding bands are gone, it’s all about the test of time man!

I couldn’t agree more, they are a hard working band and hard work pays off “Secrets of the World” their new LP just dropped like a week ago, how has the responses been? I’m sure the preorder list was endless for you.
Yeah the pre orders where crazy. Between Reaper and Merchnow it was over 600 copies in pre orders. The 1st press is sold out and the record came out august 4th, which was yesterday haha

Haha man that is awesome, congrats! Are you satisfied with how this LP came out, with the artwork, layout, sound and everything involved with putting out the record?
Yeah I am very happy. DJ ROSE HALO/Reaper did the artwork. Our man Buske did the layout and everything came together awesome. I think it stands out for sure but still looks like a classic hardcore record, I am very proud.

On the previous record Dan Higgs did the artwork for the 7” and the preorders. Why did you decide to have DJ (Halo Tattoo) do up the artwork this time?
DJ is not only part of reaper but also a big fan of the band. When the band came up with the title it was a no brainer that DJ would be a great artist to do the artwork for the record.

It came together great. This isn’t the first time you’ve used someone at Halo to do up artwork for one of your releases.
Definitely not, Tommyrot did a whole bunch from black ss to merauder and Chris Chisholm who tattoos for us (used to play guitar in all out war, OG line up) did the terror blood tracks demo cover and the naysayer 7″ cover.

That must be a relief having artist all around you and not having to worry about finding someone to draw up a record cover.
ehhh hahaha it is and it isn’t, trust me no matter what its always a struggle. It wouldn’t be a hardcore label if it was all easy all the time haha.

Now you mentioned the “master killer” re-release you did a while back, any plans for other re-releases in the future?
Not sure yet.

Now I wanted to talk about the reaper website and the new Reaper “R”. Why the new design and why the new logo?
The logo was done by Rene of world collapse, I had this whole idea of having something that people can draw easy on their jackets or school books or on bathroom walls. Something along the lines of the Dead Kennedy’s logo or Urban Waste etc… So that’s why we sat down and created the Reaper R. The new website was both of our ideas. I wanted something that takes basically no clicking around to get the info you want. Something really stripped down, I also wanted it really hardcore looking in a way that no other website looks like. Rene came up with the idea of having it like a hardcore scrapbook or a fanzine style.

The new logo and site looks great. Now everyone has some guilty pleasures when it comes to music, what are some artist/bands that no one would expect you to be into?
Let me think about guilty pleasures, music wise…I don’t really think I have any. I like lots of diverse stuff but nothing really were people could say that that’s some serious faggot shit haha. I definitely listen to a lot of 50’s stuff especially girl groups from that era… lots of old school reggae, I love Ryan Adams who you could say is definitely a bit of a fag but his music is the shit. Everyone needs to own EASY TIGER!

What are some bands out right now that are not on Reaper that you have been into lately?
Bracewar is definitely a great band, Alpha and Omega, Warhungry, Steel Nation, Creatures are fucking hard as shit… Down To Nothing “the most” is one of the best records of the past few years!

Lets dig into the future a little bit more, what would you want reaper to be remembered for say 20 years from now?
That we were a hardcore label. Not a record label perse but a hardcore label that put out hardcore records. Reaper is not interested in the record industry and all its BS, we are a grass roots hardcore label that’s all…

What do you have coming up next for reaper? Any secrets you can let out of the bag?
The Maximum Penalty and Forfeit LPs are up next. After that the piece by piece and born low 10″s. Hopefully the true blue demo 7″ and world collapse ep vinyl version by the end of the year. Black ss are working on a new full length and we are still working on the slugfest discography. 2010 will bring some goodies of course…

Thank you for doing this interview, any closing comments?
Big ups to Syracuse hardcore and major thumps down to all the haters out there! Thanks to all the people that have been supporting us since day one and all the new people that got our back, Hardcore lives!

Go and check out reaper records online. Be sure to keep an eye out for the new Maximum Penalty and Forfeit LP’s. (http://www.reaper-records.com)